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Some may be attached to the side of a house, while others are freestanding.
They can be quite small, or they can be long, covered walkways, sometimes connecting two pavilions.
See full summary » Keith Gordon is a creative young man who films the oddball doings of his family and peers.
"The Maestro" appears frequently to give him pointers on his techniques. See full summary » Early De Niro film casts him as a New York City film editor working on a documentary about Richard Nixon, and spending a weekend with rich friends Warren and Mickey.
This short article will clarify the differences (and similarities) between these various structures. A gazebo is a type of pavilion structure, which is sometimes hexagonal or octagonal, but often round, and it usually has a domed roof.
They can be either freestanding, or attached to a garden wall, and they are, traditionally, open on all sides, such as the Victorian gazebo, in England, shown above. Now, the problem comes because “gazebo” is a catch-all term for other structures too – such as pergolas, kiosks, belvederes, folies, rotundas, pagodas, and probably more.
A belvedere therefore refers to any architectural structure that is situated so as to take advantage of such a view.
Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity.
An offbeat, episodic film about three friends, Paul, a shy love-seeker, Lloyd, a vibrant conspiracy nut, and Jon, an aspiring filmmaker and peeping tom. See full summary » Naive young lady Karen wants to help her struggling amateur filmmaker boyfriend Christopher raise enough money so he can divorce his wife.
Meanwhile, jolly psycho prankster Otto stalks the ...
The opening scene, in which Jon Rubin (Robert De Niro) is shown around his crummy new apartment by the landlord (Charles Durning), is a parody of a then-contemporary television public service announcement for the New York Urban Coalition, in which a similarly slimy landlord shows off a dilapidated apartment to a black man.
The movie scene follows the commercial rather closely, and both De Niro and the unnamed black renter accept the apartment with the same words: "I'll take it." The commercial, however, is in black and white.